Trolley
£0.00
BA8420 - Easy Organ Pieces from the 19th Century, Book 3 Default title
BA8420 - Easy Organ Pieces from the 19th Century, Book 3 Default title
BA8420 - Easy Organ Pieces from the 19th Century, Book 3 Default title
BA8420 - Easy Organ Pieces from the 19th Century, Book 3 Default title

Easy Organ Pieces from the 19th Century, Book 3

9790006520305 brand: Barenreiter
ISBN: 9790006520305, Stock code: BA8420 new
Volume 3 in our series of easy nineteenth-century organ music provides semi-professional organists with another collection of short one or two manual organ pieces. The editor Martin Weyer ,... Read more
£31.531.50
RRP £31.50
  • £28.35 when you buy 10+
  • £26.78 when you buy 30+
  • £25.99 when you buy 50+
Available to order
ETA 7-10 days.
We usually receive stock in the expected timeframe but this can take longer for more specialist items or at busy times of year.

When you place an order, we will contact our suppliers and notify you via email with a more accurate estimate.

If your order is urgent please contact us before checkout to make sure that we can meet your deadline.
  • Info Full description
  • Contents Contents
Info Full description

More about this title

Easy Organ Pieces from the 19th Century, Book 3

Volume 3 in our series of easy nineteenth-century organ music provides semi-professional organists with another collection of short one or two manual organ pieces. The editor Martin Weyer , an organist regarded as an authority on nineteenth-century organ music, has limited his selection to works that combine solid craftsmanship with ease of performance.

In essence, volume 3 follows the editorial principles of its two predecessors while increasing the number of truly easy pieces. Among the composers represented is the Dutchman Johannes Barend Litzau (1822–1893), whose Preludes op. 13 and 17 are simple yet elegant works for beginners. The Czech composer Johann Beranek (1813–1885), on the other hand, was more concerned with counterpoint; his Ten Fugues appear here for the first time with detailed analyses to underscore the volume’s “learned” slant. Carl Gottlieb Umbreit (1763–1829) and his colleague Michael Gotthard Fischer (1773–1829) stand at the borderline between a galant organ style derived from Kittel and the early romantic age. Another composer who took part in this subtle stylistic evolution was Johann Christian Heinrich Rinck .

The brevity of the compositions makes them perfectly suitable for use as preludes and postludes in church services of all denominations. The volume contains detailed comments on performance practice and a list of sources.

- Technically easy romantic literature
- Also playable on smaller instruments
- Short pieces well suited for use in church services
- Notes on performance practice
 



Research services tailored to your needs

We are always prepared to go the extra mile - from researching different themes, to sourcing difficult to find series and editions, all you have to do is ask!

There's no substitute for experience

With decades of combined experience in the industry, our team can find the exact piece of sheet music you need in whatever quantity you require.

Sheet music services

Holly Baker specialises in tracking down even the trickiest-to-find scores and parts. For a dedicated personal service, please contact Holly, who is available in person on Tuesdays, Wednesdays and Fridays:

Phone (01428) 647592 Email holly@
chamberlainmusic.com
Contents Contents
Rinck, Johann Christian HeinrichAndante C-Dur
Litzau, Johannes BarendPraeludium C-Dur
Fischer, Michael GotthardtPiù Allegro C-Dur
Fischer, Michael GotthardtFuga C-Dur
Rinck, Johann Christian HeinrichAlla breve c-Moll
Litzau, Johannes BarendPraeludium c-Moll
Beranek, JohannFuga à 4 D-Dur
Umbreit, Carl GottliebAndante D-Dur
Fischer, Michael GotthardtFuge D-Dur
Greve, ConradFuga D-Dur
Fischer, Michael GotthardtFuge d-Moll
Litzau, Johannes BarendPraeludium d-Moll
Rinck, Johann Christian HeinrichAndante d-Moll
Rinck, Johann Christian HeinrichAndante Es-Dur
Merkel, GustavAndante Es-Dur
Litzau, Johannes BarendPraeludium E-Dur
Rinck, Johann Christian HeinrichAdagio E-Dur
Rinck, Johann Christian HeinrichModerato e-Moll
Rembt, Johann ErnstFughette e-Moll
Rinck, Johann Christian HeinrichAdagio F-Dur
Herzog, Johann GeorgPräludium F-Dur
Merkel, GustavAndante F-Dur
Rinck, Johann Christian HeinrichAndante f-Moll
Umbreit, Carl GottliebCommodo f-Moll
Rinck, Johann Christian HeinrichLarghetto G-Dur
Umbreit, Carl GottliebAndante G-Dur
Umbreit, Carl GottliebGrave g-Moll
Merkel, GustavAllegretto g-Moll
Beranek, JohannFuga à 4 g-Moll
Umbreit, Carl GottliebAllegretto A-Dur
Herzog, Johann GeorgPräludium a-Moll
Rinck, Johann Christian HeinrichFughetta a-Moll
Rinck, Johann Christian HeinrichAdagio B-Dur
Beranek, JohannFuga à 4 über den Namen BACH B-Dur
Umbreit, Carl GottliebSostenuto B-Dur
Fischer, Michael GotthardtFuge h-Moll
Körner, Gotthilf WilhelmAnhang: Fughette für vier Hände C-Dur
Star Reviews